Exciting upcoming indie strategy game Siegecraft Commander by Blowfish Studios hitting PS4 without PSVR support, for now.
You’d be forgiven for thinking that strategy titles aren’t such a great fit for the visceral experience of virtual reality, but our hands-on session with Siegecraft Commander at PAX AUS proved otherwise. The premise of the game is to take down your opponent’s caste while defending your own. And the way you expand your empire unfolds by hurling new towers out from existing towers into the environment. Doing this automatically forms a wall, adding to your defence. However, strategic placement of towers and the choice of tower – as they each hold different attack and defence units/moves – are key.
As a result the game straddles the divide between more traditional strategy games and tower defence, and has been well received by critics during its run on mobiles.
The game works in both traditional form – controller or mouse and keyboard – and via virtual reality, with the game set to release on January 17 for Xbox One, PC, Oculus Rift, HTC Vive and PS4. The latter was hoped to have PSVR support, but it was only confirmed with us this morning. Unfortunately we’ve been informed by developer Blowfish Studios that it won't be available for launch. PSVR support will be patched in post-release, but a representative for the company was unable to confirm a release window at this stage.
While no doubt disappointing for those with a PSVR setup, what we’ve experienced so far suggest the gameplay will hold up in the interim with the Dualshock. And obviously owners of other formats have nothing to worry about. Reviews should land in a couple of weeks, and you can read up on how the experience plays in VR with our hands-on preview.
Those who simply cannot wait to try it out, can dive into the original iOS game, Siegecraft, or can opt for its first iOS sequel, Siegecraft Defender.
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It might not be what you think of when you're looking to try out VR, but Siegecraft Commander is proof strategy games just might be one of the coolest virtual solutions yet.
Virtual Reality feels right at home in first-person games, where you can walk and interact with hands that are carefully simulating your own movements. At least that's what I thought before I played Siegecraft Commander. I should start by mentioning that I love strategy games - the likes of Warcraft, Starcraft and Total War were staples of my gaming collection growing up. Couple that with city-builders and you've got a pretty great gaming afternoon.
Despite, this, strategy in virtual reality just hadn't occurred to me. Enter Australian developer Blowfish Studios.
Goblins of Elderstone is a charming, exciting stab at a classic city-building formula. Keep an eye on this one, it could be worth more than its weight in dwarven gold.
Strategy games are notoriously hard to show off at conventions like PAX. The event is loud and crowded, and for strategy games you often need time and concentration to really become invested in the experience. It's a problem that very few developers have been able to overcome. But for that reason, I'm glad that I was able to play Goblins of Elderstone, because the experience has stuck with me. I am really looking forward to seeing more out of this charming little city-builder.
Goblins of Elderstone is one of the more charming city-builders I've played in recent memory. It pairs a low-poly art style with vibrant colours and really cutesie character models to create something that is both adorable and a little unsettling.
Think back to the stories of your childhood - Farthing Wood, The Wind In The Willows, Jack Rabbit – and wonder if they were mixed with today's fascinations with the political intrigue and espionage of shows like Game Of Thrones. Somewhere in between those ideas sits Armello.
It’s been a great year for developers from downunder and the good times just keep on rolling. Armello is finally with us, and we’re happy to report it joins the likes of Hand of Fate, Framed and Expand as prime examples of the wonderfully creative indie games merging from small Australian studios. Armello does have a couple of issues that keep it from being truly awe-inspiring, but with the right group of friends it can be a magical experience.
It’s a beautifully designed and charmingly animated attempt to marry a fairy tale aesthetic with a story of corruption, deception and outright betrayal. The story of Armello centres on The King, a lion who has managed to unite the other clans (themed to animals) and forge an empire filled with moderate good will and friendship. It is in this careful balancing act that we see how quickly it can all come tumbling down. The sudden onset of Rot – a malicious black force of untold evil – in The King suddenly pits the other clans against the monarch and each other to secure the throne by any means necessary.